THE STORY OF

JD SAGE

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JD Sage
July 14, 1931 - May 15, 2023

“A geologist and civil engineer by training, I am fascinated by time and ways to visually represent the connections between the past, present, and future.”
- JD Sage

I have been exploring “Math Art” over the past 40 years, using mathematical methods to transform and represent images. My Math Art includes (1) Transformations based on mathematical functions, (2) Progressions formed from numerical sequences, and (3) Explorations of compression and reflection in time and space.

Transformations

For decades I have been fascinated with the primal feel of transformed images or metaforms. My first “Math Art” was created in 1980. An outline of a photograph of myself was placed on graph paper to assess the position of points on the outline. The x and y coordinates of critical points on the image were manually measured. A slide rule was then used to calculate the logarithm to the base 10 of the y coordinates. The x coordinate and the logarithm of the y coordinate were plotted to obtain a transformation of the original image. The outline of the image was then filled in with black Indian ink. 

A metaform or transform is an image, object, or form which has been in some way modified or transformed from the original. A circle modified to appear as an ellipse; a woman transformed into a bird. Shadows of images falling on oblique walls or curved walls are transformed and represent the earliest transforms. Other early transformations are images conceived and depicted on the walls of caves, rock outcrops, and other natural surfaces. They are collectively called rock art. Some images are painted on rock, and others, called petroglyphs, are carved, pecked, or scratched into the surface of the rock.

Progressions

Having studied Neolithic and Paleolithic rock paintings at various sites around the world, I was intrigued when I saw that certain mathematical transformations resulted in primitive forms that were reminiscent of the way early artists depicted human beings.

The use of number is innate. Early man might not have had the number system we are most familiar with, but even they had a way of signifying, one or none, more than one, and more. They probably used their toes and fingers or digits to count. The concept is carried over to contemporary man, for which the term digital refers to the representation of information and data by discrete units or digits. Examples of the use of number as tokens on clay tablets are found in the Sumerian culture (5,000 BP). Paleolithic man (20,000 BP) scratched lines and gouged holes in sticks and bones, possibly counting the days between phases of the moon. Without counting, we are aware of objects in groups of two, three, four, and five. Beyond five, counting may be required or we assign the collection a name.

Explorations

Recently, I have been interested in iconographic ways to capture the passage and representation of time. A style I identify as “timeism.” As a “Timeist,” I compress time into a single instant. “Cubists” compressed space into a single plane. For composers, time is compressed on a sheet of music. A visit to the Grand Canyon is a “timeist” event, particularly when we are made aware of the fact that the canyon walls and gorge represent hundreds of millions of years of geologic events. 

I layer imagery from as late as 2 BP (years before the present) to as early as 20,000 BP, simultaneously incorporating equations for time travel. The multidimensional work is created by using multiple panes of glass to permit looking forward and backward through time. Mirrors are incorporated in my work to allow the viewer to be a part of the art – a participant in time.


“The mind demands order. We have a need to reinforce our being. Uncertainty excites. We need to know what is known. We need to try what is untried. We need to taste what is only imagined. We are explorers.” ~ JDS


Recognition

  • Time on his side.

    Worcester Polytechnic Institute (2003)

  • Artistic collaboration.

    Worcester Telegram and Gazette (2005)

Undertow Series 8-04

  • Words from Dad’s journals

  • materials: oil pastels, paper, spray paint, watercolor

    year: 1999

Works on Paper

High quality materials

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Customized for you

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Global artisans

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Works in Dental Plaster

High quality materials

  • It all begins with an idea. Maybe you want to launch a business. Maybe you want to turn a hobby into something more.

  • It all begins with an idea. Maybe you want to launch a business. Maybe you want to turn a hobby into something more.

Customized for you

  • It all begins with an idea. Maybe you want to launch a business. Maybe you want to turn a hobby into something more.

  • It all begins with an idea. Maybe you want to launch a business. Maybe you want to turn a hobby into something more.

Global artisans

  • It all begins with an idea. Maybe you want to launch a business. Maybe you want to turn a hobby into something more.

  • It all begins with an idea. Maybe you want to launch a business. Maybe you want to turn a hobby into something more.

Works on Glass

High quality materials

  • It all begins with an idea. Maybe you want to launch a business. Maybe you want to turn a hobby into something more.

  • It all begins with an idea. Maybe you want to launch a business. Maybe you want to turn a hobby into something more.

Customized for you

  • It all begins with an idea. Maybe you want to launch a business. Maybe you want to turn a hobby into something more.

  • It all begins with an idea. Maybe you want to launch a business. Maybe you want to turn a hobby into something more.

Rough Draft Life

1931  Born in Leonardo, NJ

1953    BS in Civil Engineering. Rutgers University, New Brunswick NJ

1957 MS in Civil Engineering. Rutgers University, New Brunswick NJ

1974 PhD in Geography. Clark University, Worcester MA

1975 photography with Ronald Rosenstock. Worcester Craft Center, Worcester MA

1977 opened art/photography studio. 100 Grove St, Worcester MA

1981 opened art/photography studio. 2 New Street, Worcester MA

1987 opened art/photography studio. 69 Hammond St, Worcester MA

1990 opened art/photography studio. 38 Harlow St, Worcester MA

“It all begins with an idea. Maybe you want to launch a business. Maybe you want to turn a hobby into something more. Or maybe you have a creative project to share with the world. Whatever it is, the way you tell your story online can make all the difference.”

— Squarespace

REMEMBER

We occupy space
a multidimensional space
primal awareness
sembryonic space
instinctive perception of form
archaically genetic

Remember

Your own growth
experiential transformation
acoustical form
tactile form
relationships in time
growth

Remember

Inuit dream world
images recognized
a cord
a connection
to human experience
to human spirit

Remember

Abstract representations
a dance
a connection
to order
to disorder
to human rhythms

Remember

Design as ordered metaform
psychic transform
a mask
mimicry
Mayan
children

REMEMBER !!!!!